Aaaaaancient scans of Cobra Commander's battle armor from the last few issues of Marvel's original G.I. Joe comic. To date, this design has never received a toyline counterpart, which is kind of striking considering how much the modern G.I. Joe toys take inspiration from the comics. I had attempted to remove the backgrounds from all three of the images, with varying degrees of success. I don't think I have the unaltered versions anymore...
Anyway. Using
this armor and a specially-manufactured Ninja Disorienting Hallway installed in the Silent Castle,
Cobra Commander was able to defeat and capture the then-heroic Storm Shadow. This led
to Snake-Eyes mounting a rescue attempt for his sword brother - and surely he'd fall for CC's new
tricks, too! However, Snake-Eyes (seen in the background of the third
pic) was able to get through the special Ninja Disorienting Hallway
by... CLOSING HIS EYES! Then he hit Cobra Commander with a flechette round, because he decided to rescue Storm Shadow in a commando-y way instead of a ninja-y way for some reason. I'm not sure why this ignited CC, but it's been a while since I've read the story. Maybe Snake-Eyes had a flamethrower, too?
Scans from G.I. Joe #150 and 151. Art by Phil Gosier and Crusher Wallace (#150) and Phil Gosier and Scott Koblish (#151).
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Mar 27, 2013
Mar 25, 2013
Comic Comparison -- MTMTE #15 and Transformers #66.
Mmm. Visual metaphor. |
More Than Meets The Eye is a great book -- especially if you're a hardcore Transformers fan.
So I was a little taken aback when I was reading the Allspark and found that reactions to the issue were far more mixed than is normal for MTMTE. So I went and read the issue again. The second time I started to notice a strange feeling; I'd read this story somewhere else.
So I read it again and it twigged. It's the Furman-ness. Simon Furman was a long-time writer on Transformers in the 1980s and a very big and obvious influence on MTMTE's writer James Roberts. But it was more than just stray scenes that were similar to the old days... it was... the whole issue.
More Than Meets the Eye #15 (Under Cold Blue Stars) was beat-for-beat a copy of Marvel's Generation 1 comic #66 (All Fall Down).
Big big spoilers follow guys, so if you haven't read these two comics yet do so, then come back here with them both in your lap and join me for a little journey of comparisons.
Mar 18, 2013
80-Pagecast: Episode 1
We're trying something new at 80-Page Giant this week - the 80-Pagecast, a podcast featuring 80-Page Giant contributors David Henion, Rob London, and Jen Ulm. This week, our main topic is retold origins, so enjoy as we mostly ignore that topic and discuss bad wigs, Two-Face's facial hair, and molten cobalt instead. Have a listen and tell us what you think! Show notes after the jump.
Mar 9, 2013
Fighting giant robot evil by moonlight, winning giant robot love by daylight
The Nobel/Noble Gundam (left) and the Super Nobel/Noble Gundam (right), from the Mobile Fighter G Gundam manga adaption by Kouichi Tokita. What better way to represent Sweden than with a giant robot Japanese schoolgirl?
The Super Nobel/Noble Gundam was a design exclusive to the manga adaption - you can see it in color here, which firmly cements it as a giant robot Super Sailor Moon. I tried to point out the existence of this suit in a Mecha and Anime Headquarters thread some years ago (a website home to a massive Gundam compendium, incredibly useful before wikis were a thing), but despite it being a legitimate variant, it's never been added to the MAHQ index. Kinda disappointing, as I had previously pointed out and provided scans of the Scud Gundam, Manager Gundam, and Jumping Gundam to the site.
In any event, the G Gundam manga adaption is not something I can really recommend on its own. Trying to condense 49 episodes of content into three volumes gives the work a breakneck pace, but without the context of the television series, a lot of it doesn't make sense. The "Go For It, Domon!" gag strips in the back are kinda cute, though.
There is apparently a recent re-imagining of G Gundam in manga form written by series director and all-around awesome dude Yasuhiro Imagawa, but I've heard of no plans to bring it over in English. More's the pity.